Tuesday, June 30, 2009

bleeding sun preview.

This is a preview to the fifth book in my book series, The Tarterrior Series. The book, called Bleeding Sun
is probably my personal favorite because of the interactions bewtween the two characters of Kala Roote and Alsenoth Ongeller. This scene is one of the first in the book, so please enjoy!

Bleeding Sun Excerpt
By Adam Gonzales

“Are you sure you want to do this?” Alsenoth was trying to convince Kala otherwise.
“Yes, Alsey.”
“And are you sure that your room filled with light after you woke up from your nightmare?”
Kala gave him a look. The look, rather. It was funny how she was able to unexpectedly demand control with her eyes. She was two years younger than Alsenoth—thirty-three—and yet she was still able to make him feel smaller than her in every way. He knew he was fighting in an argument that he could not win.
“I just want to make sure, Kala. Stimdärt abilities are difficult to control. It’s tiring and you’re going to have to be under extreme agitation while you train. So….” He paused.
Kala gave him a curious look. “So, what?”
Alsenoth looked distractedly to his side. “So I’m going to have to hit you.”
Kala’s eyes widened. “What!?”
“Yes, err…. See? I told you this wasn’t a great idea!”
“Right. To agitate me you have to hit me? You can’t yell at me or something?”
“That’s not how it works, Kala. And I’m not going to yell at you.”
“But you’ll hit me.”
Alsenoth growled in irritation. “Kala, we can do this another time. I mean you can even just wait until we do your regular sword training, if you want.”
Kala smile. “Ugh! Fine! Hit me, then!” She bent her knees, folded her wings across her back, and stuck her neck forward. A big grin on her face, she tapped her cheek with her left hand. “Come on, Alsey! Right here!”
Alsenoth shook his head, his eyes narrowed. “I’m not going to hit you now, Kala. I’m not dumb enough to just—”
“No, come on! Seriously, hit me!”
“Kala if this is some sort of joke—”
“Hit me!”
Alsenoth threw his fist against Kala’s cheek. She flipped around and snarled, placing her claw against her face. When she turned back around to face Alsenoth, her eyes and pupils were a deep shade of ruby; a clear sign of Stimdärt power. Her cheek was cut from the impact of the punch and blood was trickling down her face.
“What did you do that for?”
Alsenoth was flustered, taken completely off-guard. He widened his eyes in fear—horrified that he had actually hurt his best friend. “But you asked me to hit you! Insisted, if I rightly recollect! Are you okay? I mean, I didn’t mean to hit you that hard!”
He bent down and knelt at her side. She had an angry look on her face. “I know I told you to, but I didn’t think that you’d actually do it; I was trying to prove a point!”
“I’m sorry Kala. I was just trying to help you tap into your Stimdärt abilities.”
Kala sighed. “I know. I’m not mad. I’m just…shocked at how much it hurt.”
Alsenoth raised his brow. “Oh, is that all? I thought you were mad at me?”
“I can be if you’d like,” she pouted with her face and gave Alsenoth the look.
Alsenoth just chuckled. “I’m sorry Kala, but it was either that or cutting you.”
Kala lifted her claw off of her face to reveal her bleeding cheek. She flashed him a sarcastic smile. “Oh we wouldn’t want that now, would we?”
Alsenoth grinned. “No, of course not. But either way it still worked.”
“What do you mean?”
Alsenoth stood up and looked at her. “Well for one thing, your eyes are all ruby—which, might I add, makes you look very pretty,” Kala shifted at this remark, “And secondly, if you look at your claws you’ll see that they’re shining.”
Kala looked down. Alsenoth was right: bright yellow light was swimming lazily around her claws, twinkling in the sun’s rays. She looked up happily to Alsenoth, a giant grin on her face—the same smile that had always reminded him of the sun. “See, Alsey? I told you I wasn’t joking! Now do you believe me?”
Alsenoth smiled; more to himself than to Kala. “I never said that I didn’t believe you, Kala. There’s no way that I could never believe you.”




rocky paper scissor show.

This is a piece from way back in my high school newspaper days. Its caption as a pic in one of my online albums was:

This was a student life piece pulled together at the last possible second when Demy's page found itself short one story in the December 2004 issue of The Howler. I had originally rejected the assignment because of my close ties to the RPS movement at Chino Hills High*, but in the end I decided it would be better to keep the issue afloat than to turn a blind eye. This remains one of my favorite pieces, largely because of its quirky quotations. Note the variant spelling of Brendan's name.



*I started the movement.


the ravine, the sticks.

This was a little short story I wrote in a single hour at 6 in the morning after pulling an all-nighter. I was spending the entire night searching the internet and reading Stephen King's "On Writing." The book is truly remarkable, and King offers a wide variety of advice on the art of writing. One of the greatest tips he gave on creative writing was to start off with a character and then just let him live. So here was my experimentation of just starting with a character, and letting the story unfold itself. NOTE: This story may be a lot of typos, due to the state of mind I was in when writing it (I pulled an all-nighter!). Enjoy!


Half-and-half was the coffee type best suited for the journey. Caffeine-powered energy circulated throughout the nervous muscle system. The surface rippled as the decrepit wooden paddle stroked the ravine's still water, sweat accumulated on the brow of the white-haired boatman; agitated by the ambiguous sting in his eye–yet paddled onward. The road ahead: the only passage available to getting to the boatman's "home," was prolonging. The ravine tested tolerance.

He raised his chrome thermos to his large and violently pink lips. As the hazel coffee grazed his chapped lips, the man took notice of the mist surrounding his vessel. The boatman–although tolerable–was agitated with the mind settings of yesterdays and the previous, despite the relaxing waft of the ravine current. Paddling, stronger, faster, towards the mist: which once soared at the heavens; the boatman reminisces of skeletons from the past. Resilience to forget–the punishment for a guilty conscience.

More impulsive, his strokes began to turn. Steady ripples now turned to light splashes; the rowboat now tilted and turned with a faster, more complex rhythm. Veins tightened within his arms, wrists, and shoulders: frail, like any elder senior–patiently waiting for the final rest.

Shortly, pain crept into the consciousness of the boatman and he aborted his frantic paddling. Resuming a sense of tranquility, the boatman released the paddle–midway below water–from his firm grip; allowing the utility to float on–far from him. He let go, permitted peace to gather, and allowed the current to guide.

"There ain't no use," he screamed to the mist, "I can't run away."

Nearby stalks of plants–peeking above the water's surface–bent to the strong, sudden draft of wind, which has manipulated the vessel; it steered the boatman deeper into the vague obscurity of the mist. The boatman refrains from tears; congenitally, crying in any situation was a niche for weakness. He kept his eyes resistant to–his own–perception of this eldritch phenomenon. Yet, no senile man in his late 80's could resist what the boatman saw next.

Deeper and deeper, the wind emphatically guided the boatman into the mist. The surface tension began breaking and reassembling with the speed of trek of the vessel. And suddenly–a stop. The contemporary stillness and tranquility temporarily revisited the boatman again. He takes advantage of the calm; as still as the stars assigned to the sky–and takes a last profound and long breathe of chilled mist. His caffeine-stimulated muscle attempt relaxation–unknowing to the boatman his body was going a mile a minute–but, at the inhale, a gentle "thud" is heard from below the raft. The boatman peaks towards the edge of the rowboat–and his cardiac, ventricle, and muscle system reach the speed threshold. His body: a light bulb burnt out after it's final switch-on, a manual motor grinding it's gears, the putting out of a candle–fell into the still and peaceful waters; he floated next to the corpse of a women: in the early stages of decay–larva already picking out at her large and, what was once, violent pink lips.

With only the last final tremors of the boatman; they both rested, calmy and tranquil, atop the ravine–allowing the mysteries of the mist to engulf them.

Tuesday, June 23, 2009

sci-fi project (project #1).

Nick had the privilege of choosing our first writing project. We are taking on the challenge of writing a Sci-Fi piece under the strict rules that it cannot be more than four pages single spaced. This way you can see how each of is gets a beginning, middle, and end within the same amount of space. We will be posting at the end of next week, and each of our pieces will be COMPLETELY different due to the fact that neither of the other two will see what the others have written until it has been posted on the blog. Check back at the end of next week for our projects, and keep checking back daily to see works that we have already written and that will be posted on the site. Thanks! -Adam

the courting of the sun and the moon.

This poem was for a project in my Creative Writing Class that turned into something a little bit more. I enjoyed writing this poem SO much. It is reflective on two characters from The Tarterrior Series, which I am currently writing, and I hope to be able to make it into a song on my Finding the 88 Keys on How to Write Piano Music blog. I hope you enjoy it! Thanks!


The Courting of the Sun and Moon

By Adam Gonzales

Why is it that when the Sun goes down
All the lights in the sky don’t stay around
Well the Moon is there and wears his white clothes
And he shares her light that much he knows

And why is it that the Sun returns to the sky
But the foolish Moon decides some nights to hide
The Sun never fails to shine her light on the earth
So why does the Moon chose to hide from her

Well the Sun never sets it just shines elsewhere
But it’s true that the Moon might just disappear
And the Sun won’t complain she’ll just lend him her light
So if he comes out he can shine bright at night

Yes it’s true that the Moon wears pure white clothes
For the Sun cleans them well so that he can show
How much he loves life even if he is scared
So he shows her his love and the life he’s prepared

Now the Moon has stepped up, he shines bright all month long
And all because he lives off her sweet song
Her rays warm him all through the day and the night
And he vows to forever be her true satellite

the death of isaac brunelle.

This story is VERY dear to me. It was an assignment for my Creative Writing class, but it turned into something MUCH more. This story is semi-reflective on something that has happened to me and I really enjoy the emotional depth that it holds. Please let me know what you think as I hope to turn this into a full-fledged book AFTER I have written my eight book series. Until then, I'm not planning on touching it. Thanks!

The Death of Isaac Brunelle
By Adam Gonzales

It was the day I died in every direction.
I’m sure I had it coming—in fact I knew I did; I had been asking for it. But as it goes with all things that we wish for, it didn’t turn out the way I thought it would.

It was early November. The trees were molting the last of their fiery leaves and the wind was getting cold enough to slice through skin. I was walking through the brazen colors of my grandparent’s orchard when I noticed Collette sitting on a wooden stump just past the row of trees. Her hair was smooth and straight, only curving upward at the ends. The breeze rushed against her face, sending tendrils of blonde strings to pass in front of her amber eyes.
I walked up to her, offering her my brown hoodie. She gave me a quick nod as I sat down in the orange pile of leaves next to her, and pressed the jacket to her cold cheeks. “It smells good,” she said happily.
“Huh. Haven’t noticed.”
Clouds were forming up above and the wind suddenly decided to speak louder. I was fine in my torn jeans and short-sleeved shirt, but even with the extra warmth of my jacket Collette began to shiver.
“We can go inside, you know.”
She looked at me, water forming in the corners of her eyes. “No. I’m fine.”
We sat there for awhile, letting the leaves whip up against our faces until my curiosity overcame my indifference. I cocked my head to the side, my short brown hair standing up at the back. Furrowing my brow I pulled my legs up against my chest as I turned to Collette.
“So. Why’d you come to the orchard? It’s quite aways from your house. Four blocks, isn’t it?”
“It’s pretty here. I like the trees.”
I rolled my eyes. “Right. Pretty enough to walk practically half a mile to see. I know you better. Why’d you really come?”
Collette’s eyes wandered from tree to burning tree, but I could tell that she was thinking of something else. I stood up, looking down at her with my arms crossed. It was usually easy to read Collette’s thoughts from her facial expressions, but this time she was blank. That really upset me. She was definitely hiding something—and she never did that to me. I pouted with my face.
“Seriously. What’s wrong?”
“Well…”
Her eyes lost their glaze and stared at me with a shadow of concern. ‘Great,’ I thought, ‘I did something stupid, yet again.’
“I heard something about you, Isaac—from Piers.”
Suddenly I felt real cold. If we were talking about Piers, only one thing could be coming. And I wasn’t sure that I was ready to talk about it just yet. I abruptly started shaking, and I was certain the weather had nothing to do with it.
“And?”
She gave me a look. The look, rather. It was funny how she was able to unexpectedly demand control with her eyes. She was a year and a half younger than me—seventeen—and yet she still could make me feel smaller than her in every way. I knew that the conversation was going to end as messy as possible.
Six months earlier I had realized something: I loved Collette. Not the same kind of love that I’m sure other people felt where they would woo and dote over their “catch,” as it were—and certainly not the physical attraction that some believed to be love. No, this was something else entirely. It was just a stronger sense of what I had felt about her before. She was my best friend, and had been my only real friend for quite some time. In fact I was willing to stake all my money on the fact that she knew more about me than even my mother. But the problem was she didn’t know how I felt about her yet. Unless Piers had been a fool and told her.
Piers.
Sad as it was, Piers did know how I felt—although I hadn’t intended for him to ever figure it out. I certainly hadn’t told him, he had just put two and two together. I guess I’m not as subtle as I think I am. But Piers wasn’t the whole of my problems. In fact, he wasn’t the problem at all. The problem was with two people: Claire and Lloyd.
Almost a full eighteen months ago, when she and I had started our friendship, Collette had been in love with me. I had known it, Piers had known it, everyone had known it. The problem was that I liked Collette’s sister, Claire. Truth be told I made such a big deal about liking Claire and everyone made such a big deal about me needing to go out with Collette, that when the time finally had arrived when I realized I loved her I was too stubborn to admit it. I’m not one for being wrong, so I took it as a stab at my dignity when I came to the understanding that everyone had been right. I guess that’s me: the one who goes against the crowd just for the sake of it. I didn’t want everyone to be right, so I had dumbly pretended otherwise.
The other problem was Lloyd. Collette had given up on waiting for me and had found a boyfriend. He was a nice guy—tall and funny—but I guess I looked at it differently; my eyes were clouded. Some part of me was jealous, yes, but there was another part—the part that was her closest friend—that feared for her. I didn’t want anything to go wrong for her; I just wanted her to be happy. And unlike me, she hadn’t tasted how quick the milk could turn sour. So I grew angry with him. For no particular reason other than the fact that he could turn on her. Soon everyone knew it. Except Collette.
“How long have you…” She looked at me expectedly.
I turned away, my face getting the full blast of the wind. It chilled me and my cheeks grew red as I grunted. “I don’t want to talk about it.”
“Isaac.”
I turned back towards her, my eyes hollowed. “Six months.”
“That’s not what I meant, Isaac. I already knew about that; you’re not that good at hiding your emotions.”
My brow furrowed, showing my confusion. What else could she possibly be talking about? Then it hit me. Lloyd. She did know about my hostility towards Lloyd. My heart sank. There was no way in hell’s fire that she would forgive me for that.
As soon as I had found out about Lloyd, I had suppressed my jealousy towards him in order to mask my feelings for Collette. But as time dragged on and Piers learned of my anger, I told him things. Just simple things that I thought about Lloyd and things that I didn’t want to happen to Collette. Things about Lloyd’s past, and how he would make the same mistakes he had done once already. Things like the way he had mistreated his previous girlfriend and had seduced her into doing things that even he himself didn’t want to do. Things about how he was known to treat people in his anger, and my fear that Collette would be treated the same way. I know that he was good to her in spite of his past—that he hated what he had done in his past, and that he truly was changing—and obviously there was some hate behind those words, but I never thought of them as anything else: just words. But I was known for putting too much emotion behind my words. I knew there must have been animosity behind them, and I knew that the snide remarks I had made would not be taken lightly. Piers must have thought so, too.
He had told his friends about what I had said, and they all had taken it as serious ideas and comments rather than expressed emotion. And so my words spread. Apparently they had even reached Collette’s ears. I knew this wasn’t good, and I knew—given her stubborn personality—she wouldn’t hear me through.
“I heard what you said about Lloyd.”
I gave no reply.
She suddenly looked up at me, sadness in her face and tears in her eyes. It ripped me apart to know that I had done this to her. “Why?”
There was nothing I could say. I just stared blankly at her, my heart to full of regret to even try to explain what had happened.
“Well,” she said sniffing, “I want you to know that what you said reached my mother—and Lloyd’s, too. They both agreed that we should stay away from each other—people have been saying stuff about him, and it’s hard for me to be near him without hearing people say how mean he is.” She inhaled deeply. “So I’m going to ask you for a favor. I-I-I don’t want to do this—really I don’t—but it sort of happened because of you, so I ask: please stay away and don’t talk to me. Okay?”
I nodded grimly and tried to hide the tears in my eyes.
“Okay then,” she said getting up. She left my jacket on the stump and waded her way through the piles of lifeless leaves, crunching them under her short black boots.
I watched as she made her way past the line of blazing trees, past the rows of fire, until she found the cold grey cement of the sidewalk. I had lost my best friend. I had lost my heart’s beat. I had died.
I had deserved it.
I silently let my tears fall as I pulled my jacket into my arms and sat on the tree stump. I let the cold bite my face until it became too much and I had to pull the hoodie to my cheeks. I inhaled deeply. Collette was right; it did smell good.

a statue called "alone".

I HATE slam poetry, so here's a slam poem! Enjoy!

A Statue Called “Alone”
By Adam Gonzales

Do you remember when we walked hand in hand to that beautiful fountain
where the statue of the nameless man stood with a sullen face?
We tossed some pennies into the rusty water and smile at our perfect reflections

It is not lost on me—the whisper of something greater that you once spoke of
That wonderful vision of adventure and song that would surely keep us together through “thick and thin”, as it were
I guess maybe I was too stubborn to realize that the dance you were trying to teach me was pointless
I CAN’T dance, and life would be a horrible dance to watch, regardless

And as I walk you back to that ugly fountain, I laugh when I realize why it feels so wrong
I sat in one place while you simply tried to zip on by as if it were all some sort of roller coaster
If life were a roller coaster there’d be a lot more laughing and smiling
Rather than this bitter pit of emptiness that is eating away at my pulsing innards

Right…now….

And maybe if I listened rather than heard, I would understand why you are letting go
Why you are digging your nails into my hands as we speak
And to think that I had the opportunity to be alone and content in a self-inflicted internal infusion of insistent isolation

But as I finally listen, the only voices and words I hear are in my head saying
“Why is he here,” “Why won’t he leave,”
“Why…can’t…he…just…see…”
And it breaks my heart

Just like you break that precious string of hope you strung
The one you ruthlessly ripped with restless relentlessness
A stupid struggle sparked by a simple suggestion

But that bond, that cord, that link that you severed so suddenly
Pours out an endless stream of steaming blood—
Blood that cannot be given back

The trickle of heated fluid settles into a small pool at our feet
And once again we see our reflections in a glossy glass lake of red liquid
But this time we wear frowns instead of the smiles we so foolishly masked ourselves with
And the only sense of hope and resolution I feel is oblique
Made obsolete by that faint flare of fiery indignation that you so shockingly bestowed upon me

So now I sit at the edge of the forgotten statue pondering on why the tourists blow their bubbles of gum so gaily
While their hopes and dreams are tossed away into such a sickening fountain
The pennies’ red rust swirls as each wish is swallowed into a vortex of nothingness

Maybe if they would look up at the statue they would know it was all for naught
Because to throw away hope in a red pool found at the feet of a nameless face is to throw away life itself
And we’ve already agreed that life is a terrible dance to watch

So as you walk away to leave me alone I realize that I never knew what that meant before
Too absorbed with myself to have time for others and to feel ANYTHING at all

But as you leave
As you TAKE your leave
I get it…and I feel it
For after all that IS the statue’s name...

...Alone



victor vacinni.


No one ever grew fond of Victor Vacinni. Amid our preadolescence years and elementary era, middle school society conformed to the norm of growing use to someone; Victor Vacinni was an exception. In classes, we usually found him–glassy eyed and nosed stuffed–staring straight at someone: no blinking, no nonchalant glances at the ceilings. At lunch, his isolation often disturbed our ability to eat with tranquility. He sat there, in his own empty table, staring straight at one of us: no blinking.
We all had our reasons to feel uncomfortable near him. Daniel Clemens once told us that they both attended the same private preschool and he would perform acts of passive-aggressive sexual exploitation. “He would take off all the clothes of the girl’s Barbies and draw all the privates where they should be,” he reported to us, during one of our many lunch-table gatherings, “When our teacher caught him Sharpie-ing a penis onto a Ken, he told her that he liked things to be realistic.” Sunny Days Preschool admits students from age four to six; Victor was five in Daniel’s testimony. Jared Stewart cited another example of Victor’s odd behavior at a viewing of The Godfather. “We went to the same church when I was eight,” he said, taking a swig of his soda, “every time the pastor would want us to repeat a passage, he would always talk in tongues. To this day, I don’t know if he was faking it or if he was actually possessed by something.”
Chris Peters once recalled an event where he was rehearsing through another laborious period of biology–which he and Victor both attended–and, unfortunately, had the pleasure of sitting by him. Here, Chris, the opportunist that he was, paid careful attention to the physical aspects of Victor. “He looks even crazier up close, man,” he said, lighting a cigarette as we all huddled behind our high school bleachers one Sunday afternoon, “that crazy bastard had two lazy bright brown eyes. I remember Mrs. Smith, dumb braud, told the whole class to ‘converse’ with each other about decomposition or something. Hell, I needed to pass, so I talked to him, but as soon as I uttered a word he got really close, like this,” he got as close as he could to Johnny Carlson’s face; the tip of his cigarette brightened as it inched closer and closer to Johnny’s nose, “About this fucking close that creep-o got. Tell you all, I never seen so much disgusting hygiene on a kid before. Fuck, I’ve seen roadkill cleaner than that boy.” We all urged him to go on. “His snot: wet and dry. You could notice the dried up layer because it was magnified, like a jello, by the running wet snot falling and gathering up on his upper lip. His skin was greasy and reminded me of an old leather wallet. God damn it, man, I’ve never been so disgusted by a person in my life.”
We all formed separate opinions on one or two differing physical traits he held. Jared Stewart recognizes Victor the most for his sporadic hair lining, “It’s the type of hair lining where your only hope to pull it off is to completely shave it.” Daniel Clemens remembers him for the huge bug eyes he had, “They always look as though they capture the light in the room. It has a strange gloss to it.” Robert Miller recalls his mangy posture and the way he raised his wrist to chest level. Rudy Romeo juxtaposes Victor’s unspeakably high voice and his greasy curly hair. Kevin McDonald, his scrawny legs. Tyler Beard, his skinniness. Taylor Jackson: big cheeks. Johnny Carlson: mongoloid teeth. Chris Peters: snot.
Every lunch, we all sat parallel to his empty kingdom. Victor never ate; he stared. It was a silent mutual rule that none of us ever bring up his prolonged gaze towards us at the table. We would either burst out into false laughter from Chris’s naughty joke or made fun of eachother; We all looked for ways to conceal the discomfort of his stare.
Once, during an after school detention, Chris Peters and Taylor Jackson decided to amuse the two-hours of confinement away by passing notes. It started with a game of hangman inscribed into the college-ruled by granite pencils. The frustration of guessing, the silent laughter with the eyes, and the lingering hint of boredom at the innocent entertainment evolved the topic, evoked into the wadded up paper ball, to the taboo that was Victor Vacinni. First, a drawing of Victor with the more cartoonist angle. Chris exaggerated his odd shaped head, his bug eyes, and payed the most attention to the running snot. Taylor added labels and arrows such as: tiny dick, shit-stained pants, unzipped zipper–each arrow pointed to the appropriate anatomy location. The mocking within the note escalated with such a speed that the velocity sped up the detention time itself, but before the last two minutes of their sentence Taylor wrote one last thing into the flagrant note: Victor Vacinni is gay.
“I threw it out,” said Taylor, when we all asked while walking at a mall one evening, “someone might have picked it up.” Whatever the cause, the rumor permeated through every hall of middle school. The topic penetrated every gossip requiem the day prior. ‘Victor Vacinni is gay’ invaded the notes passed, in secret, throughout classes. The questioning of Victor’s sexuality spread faster than the medieval Black Plague, carried out by rats and maggots, infecting virgins to the news. It was a God damn epidemic.
Maybe it was bias on knowing that we spread the rumor, but Victor’s gaze at the cafeteria seemed more concentrated since. We all knew laughing loudly or telling an irrelevant story wouldn’t cover up the tension amid our sandwich eating and the glare, so we feasted in silence those days–the days the news was still saran wrapped. “You remember that one day, when everyone, like, made fun of him during fifth period and all he did during lunch was stare at us and write in some weird notebook?” said Tyler Beard, in a reminiscing moment we all shared during a lull in a road trip.
All of us produced theories of what he might have written in the notebook. Daniel thought he was compiling a hit list. “Come on, guys, he had all the motives to want to kill us. He was a major creep and he probably knew about the note that started it all,” said Daniel once, ill in bed. Kevin McDonald speculated that perhaps Victor was an artistic individual, and was simply jotting down his emotions. “Nothing great, in art, is ever produced through happiness,” Kevin stated, as we all drank coffee at a Starbucks, “the haunting experience may have been perfect inspiration for a piece.”
Over time, we all abandoned justifying the mysterious writing. Over time, we resumed our obnoxious laughter and mechanisms to refute the discomfort. We all continued digging into our lunches, our Pringles, Cheetos, carrot sticks. None of us could resist the thought that we were silently mocking the kid as we ate. Here we were: eating. There he was: alone.
However, our middle-school mystery of Victor Vacinni was answered by Mrs. Devila–our study period advisor. We all notice that he was gone that day at school. “I knew that day was gonna be really fucking weird. He was never absent at school, never,” Chris stated to us, beneath the bleachers, dropping the cigarette stub and extinguishing it with his foot, “it was ironic ya know. The thing more creepier than him being at school was him being absent from it.” The classroom air had a mundane chill the day we all received the news about Victor Vacinni. “You know ever since preschool, that kid always sent an eery warmth into the atmosphere. Like a dying animal breathing his last warm breath,” said Daniel Clemens as we all packed our left-overs of lunch and placed a tip for the waitress. The distinct facial expression Mrs. Devila wore, as she stepped up from her desk onto the center of the room–we all remembered that look, the look of sympathy and mourn. “Tell you one thing, our middle-school teacher was a heartless bitch, the way she gave us the news felt so forced. It’s a shame. No one ever liked that kid. The teachers had to act,” said Jared Stewart, as the movie credits fell and we begun to exit the theatre. We all remembered how we simultaneously stopped talking and turned in our chairs to face her. “She always use to complain about how we never stopped talking. I wonder why that day we all did,” yawned Tyler Beard, as he approached sleepiness and began to rest in the backseat of our car.
“Ladies and gentlemen,” said Mrs. Devila, “I am sorry to inform you that Victor Vacinni will not be joining us any further,” that long pause, “Due to some graphic news that was sent out into the school today, it was brought to our attention that Victor is no longer with us. He died. I have been taken aback by the news that his life was taken,” another lull, “by his father.”
“His father apparently was some psycho murderer.”
“Fucking tells you a lot about why Victor was the way he was, huh?”
“The father,” Mrs. Devila now crossed her arms: body language for sincerity, “was arrested this morning, and, rest assured, he has been imprisoned and will not harm anyone ever again. A notice to each of your parents has been sent out to bring this to there attention.”
“Makes you think.”
“Why do you think we never stopped messing with him? Wasn’t it obvious this kid had problems?”
“We were kids, man, we were kids.”
We all waited through Mrs. Devila’s longer pause, and then she stated, “Let’s all take a minute in silence, to remember Victor Vacinni.”

snapshot.

Twelve years old and the picture is as perfect as the day it was taken; despite the conspicuous coffee stains, smudgy ink, and the deteriorating corners, the Polaroid print inhabiting my side table drawer waited for twelve years. As the digital alarm clock, playing centerpiece to my wooden side table, counted the hours, as the moon and sun continuously fluxed roles, as I learned math, writing, and how to read, the photograph lay waiting until this very day. I grasp the brass drawer handle amid my fingers; the mahogany drawer creaks as it struggles through the rusting under track and–as though opening a window to show a forgotten autumn view–I see my young self: embraced by a tiny young girl.
* * *
It awed me to watch the green chlorophyll-pigment escape a divine leaf; It awed me more to witness the yellowish-red autumn take over. My mother’s freshly manicured nails gently nicked me as she held my five-year-old fingers. We walked on the familiar suburban road on our way to my old day care where, the day previous, I had misbehaved. In my left hand, I held an autumn leaf–examining the changes that had been taking place. To my right, a slight timbre in my mother’s walk instructed me to stay silent–to not rattle a cage. People back then had the unanimous description of me as:
“Wild and uncontrollable!” shouted my pre-school teacher: a women, I no longer know the name of. My mother and I took a seat, resting upon the surface of the plastic glossy-red chairs: uncomfortable and–to a child–indestructible.
“We try controlling him,” my mother defended, with her infamous passive-aggressive tone, “but he’s just so… so…”
“Attention deficient?” she stated with a proclivity for suggestion.
“No. My boy doesn’t have a disorder. He’s just--.”
“Mildly energetic? Hyperactive? Prone to tantrums?” my teacher’s inclinations were nothing short of subtle, of course.
“His father likes to call it creativity,” my mother begun to rise from the seat, heading towards the door; she takes me by the hand again, “Why isn’t he off the walls now, huh?”
“He’s obviously scared he’s in trouble, right little Matty?” she shifted her tone at the end, attempting to appeal to my childish behavior–I knew better; I remained mute, “your boy hasn’t done a single cooperative or productive thing all year. He constantly picks on his classmates and throws toys around for fun. He never sleeps during nap time, he never stops talking, he never tries to stay on task! Tell me, do you see him show any signs of attention or focus at home?”
My mother hesitates, scavenging for a previous demonstration of academic trait, “Yes.”
“When?” my teacher retorted, snootily.
“When he’s with our next door neighbor’s daughter, that’s when,” she succumbed to the excitement of discovering my niche, “he tells her stories about adventures and shows all the time. They make up games together and they’re just the two most creative kids I’ve ever met!”
* * *
Nostalgia evokes my mind as I stare into Natalie’s young brown eyes in the photo. I remember–as I see–the prepossessing curly brown hair of my first little audience member. Her widely eclectic lips would smile; they would depress the dimples that symmetrically sunk beneath her tiny tannish cheeks as she applauded for me–all captured in frozen image.
I abort my evocative stream of conscious memories–focusing now on the task at hand. Around my neck, a Polaroid–I own in antiquity–hangs by a black strap, laying gently on my chest as I sit on my bed. Reaching into my jean pocket, I unfold a flier. It informs about a photography contest being held; winners earn a free vacation anywhere in the United States. Theme: innocence.
The photograph I hold is gorgeous. Lighting: spot on–the color of the autumn trees in the background compliment our eyes. Her arms bide me from behind. A perfect snapshot–yet unqualified; the contest is strict. No coffee stains allowed.
* * *
“What did she say?” Natalie asked, referring to my teacher.
We were both located in her backyard: plastic balls, hula-hoops,UPS packaging boxes, and technicolor chalk–scattered through the 20-acre wonderland. Goldenrod rays flooded the land–along with my yard, right next door–and everything glowed mystically. The sun, right above, sent the illusion of golden highlights falling, spiraling, as she moved, through her beautiful curly hair.
“Well…” I stretched the “L” sound; like lightning, I started zipping through my young thoughts, scavenging for something to amuse her, “she said I was a genius, and should move to genius school!”
“No way!” her eyes beamed with the goldenrod light that shined down on her; she didn’t want to believe it, but in earlier minds our imaginations manifest reality.
“Yeah way!” I looked straight into her eyes–to ignite belief, “and I can prove it, too!”
Her smile divulged her dimples; she clenched her teeth as she giggled, “Nuh uh.”
“Ya huh, ask me a question!”
“What kinda question?”
“Umm,” I think like a genius, “ a’ ar’thimetic one! Math!”
“Hmm, okay,” she pondered for a moment and her eyes gleamed again, “what’s a bajillion times five-million bajillion?”
“Easy,” with narcissistic lingo, to trick her, “two-million quadrillion,” I pause for dramatic effect, to prolong applause, to accumulate anticipation, “and one.”
She giggles hysterically at the punch line; I looked into her eyes and her face scrunched up as she smiled–for odd reasons, I smiled back.
“My teacher also said something else,” although two young to acknowledge–my heart began racing, multiplying two-million quadrillion and one times faster.
“Oh yeah?” she smiled again, prepared for another set-up; the gold glares in her hair undulated like a contained jello, “What else?”
“She said I’m quite the smoocher,” I tried to keep an earnest face, any sign of a humorous emotion–God forbid a blush–could jeopardize my entire devious ruse.
“What?!” she was in sheer shock and her jaw dropped like a cartoon, “how would she know?!”
Improvising again, “We were doing a kissing project,” a trait I still carry to this day: compulsive lying, “we had to kiss apples and pears and I did the best.”
“Oh my gosh,” she giggled again, hysterically, “that’s unbelievable.”
“Believe it,” I said, solemnly.
A lull–then, “I never kissed anyone before.”
“Me neither,” I stated.
At five years, a child can’t decipher an intimate moment from anything else in the world, but the biology usually stays the same. My veins constricted, blood rushed faster. I scanned for any parental unit within view. I take a step closer to her; my foot barely missing a mature dandelion grown atop the green grass. Beneath our slowly attracting feet, another action occured; a tiny yellow bee–leftover from the summer–began to nestle onto the delicate weed. The insect hovered, dropping altitude, closer and closer to the dandelion; I remember her dimpled cheeks getting closer and closer to mine.
* * *
Who cares–I think to myself–what do five-year olds know about that stuff anyway? The sole of my shoes slide as I walk on freshly dewed grass. It smells of natural oak and wood, a wet freshness and a cool chill, stimulating my nostrils, fashioning appreciation for the tranquility of far-western suburbia. I crouch lowly; Polaroid pointing to a dandelion diverging a trail of black ants into two paths, amongst the green.
The camera begins humming, configuring, manufacturing the snapshot. Through the Polaroid outlet slot, an image ejects–printed upon a gloss coated sheet. I redeem the photograph from my hanging camera; the image taken is horrendous: too saturated, stray winds catching blades of grass producing negative and unbalanced effects.
It was cold. My fingers ached. It became hard to simply take a picture. The damp grass sloshes as I travel across the green-belt. All my life I’ve traveled across suburbs; These minuscule societies built on bricks of prosperity, progression, and the perfect industrial family–yet why couldn’t I capture innocence?
Rusted chain creaks accompany the sound of an accelerating wind, as a swing set imitates a descending pendulum. Beneath my chilled toes, the sound of moist grass resides for the audibility of crunching wood chips. Through the lens, I see a lonely park; Gray clouds begin to accumulate in the sky and a bead of fallen rain hits the camera. I drop the Polaroid–allowing the neck strap to catch it.
* * *
We were transfixed on a Pavlovian response, averted to the trill of a wasp’s flight; Immediately, Natalie and I relinquished our two plastic swings, fleeing from the winged insect. Refuge was made at her house. We sat on a leather couch, in her basement, we drank the traditional elementary fruit punch, and we viewed sitcoms from the biggest television I had ever seen (back then, of course).
As the dim fluorescent television glow brightened her face, she told me about her worries. She feared starting elementary school, not making any friends, or getting bullied; Our personalities were complete opposites. I laughed at her phobias and assured her they were nothing. She believe me and we watched a cartoon–filling the commercials with our own laughter.
* * *
The swift rudiments the rain played grew harsher as I ventured my neighborhood–now aimlessly taking pictures of anything. Lightning discharging, rumbling skies, and rain only buried my determination to find innocence in this scenery; I press “click” and the Polaroid ejects a decaying cactus and to my surprise, I manage to capture lightning. I laugh at my displaced luck.
* * *
An violent orange warmth illumined our neighborhood, the mild brightness decorated even the darkest of places, giving my formal pre-school a soothing autumn glow, giving our houses a scenic spotlight. The orange-red could be found anywhere: bouncing off the sidewalk asphalt, disjoining at a tree, spiraling down her curls.
As a decade old male, lifting cardboard boxes filled with household utilities came easy; the same could not be said for Natalie: a nine year old female. I loaded, going back and forth between front porch, sidewalk, then U-Haul, Natalie helped me. In frustration she said, “Matty, you dork, help me with this box!”
Annoyed, I laid my box down on the concrete sidewalk. Catching a glimpse of the label on her box, I grew irritated. “Tupperware…” I paused for dramatic effect, “You need help carrying tupperware, really?”
“Oh, don’t talk high and mighty with me, mister I-can-never-play-cause-I’m-exhausted!” she retorted.
I couldn’t wait until every material possession I owned was in that U-Haul. My family and I were leaving this small suburban home for a bigger one, closer to the city, with more room. I didn’t want to leave Natalie forever–just a break. It was agreed that monthly visits would be made.
The afternoon continued similar to this: She whined; I whined. Gradually, the boxes stacked atop each other within the storage, building piles, and as the orange sunset descended beneath the horizon, my father closed the U-Haul, ready to leave, but not completely. My mother and father already gave their goodbyes to Natalie’s parents; they were in the van. I approached the family automobile and got in.
“Hey Matt,” my father said from the driver seat, “I’d say bye to Natalie if I were you.”
Deciding to obey, I exited the car, and climbed up her front porch steps to press the doorbell. Seconds after the gentle tune filled her house, the door opened and the dim glow of the autumn sunset was enough to see her face; It looked as though she was crying.
“Bye,” I said, generically.
“Bye,” her voice cracked slightly.
I was speechless; I wanted to leave, so I began to turn, but her hand clenched my shoulder. She turned me around and embraced me. The sunset finally gave way to moonlight–and it was silent.
“I’ll visit you every month,” she promised.
* * *
I got home. I’m sitting at my desk; I’m holding Polaroids in my hands by the hundreds. I stare into the highly saturated, horribly lit, and unimpressive photograph cocktail. They all suck. Submitting the picture of the thunder by the cactus crosses my mind. Could be good, in an abstract contemporary way.
* * *
The whistling had to stop. It had been a good year since I’ve moved farther from Natalie, she was still visiting me, barely. I stared at my homework assignment–that God forsaken teapot blower wouldn’t shut up; the numbers in my math problems begun to mix into each other, and anxiety irked my mind until I finally snapped my number two pencil and exited my room.
She was playing with my little sister in the room next to mine; Our new house was a lot more spacious, but sound seemed to reach me faster. I opened the white dry-wall door, two girls were dancing and whistling to the tune of a song I don’t remember.
“Natalie!” I half-shouted.
She stopped the noise and dance, my sister followed. Turning, she looked at me and half-shot me a smile, “What’s wrong?”
“Uh…” I attempted to sound nicer, “I have to do homework. Can you guys be quiet,” a hesitation, “please?”
“Oh,” she sounded taken aback, “alright.”
The next two hours I did my work in silence, the occasional laughter here and there; I tolerated. After work was finished, my phone rings: a girl from my middle school. At age 11, you’re all too aware of an intimate opportunity.
I could still hear the other two in my sisters room at nighttime. It was cold. My fingers felt numb as I held the phone: talking to a girl I don’t remember, wishing it was still daytime. Fourteen minutes invested into the phone, I heard a gentle thud on my door. Suspicion alerted me, Natalie is up to something.
With the simple, “Hey can I call you back?” I paused the conversation. Suddenly, the door flung open before I got to the handle, hitting me on the forehead. Natalie entered my room laughing, oblivious to my injury.
“Hey Matty!” she yelled obnoxiously; I grew frustrated. How dare she made me hold a call, “Who was the girl you were talking to? Your new lover?”
It was a mixture of pain, intolerance, and catalytic brewing of the hormones.
“Your voice rattles when you talk to her!” she laughed.
It was a mixture of accumulating annoyance, anger, pain.
“You even try to make little cutesy phrases,” she went nuts.
It was a highly saturated, horribly lit, and unimpressive cocktail.
“Shut up!” I broke, “Shut the hell up, okay?”
She’s silent.
“You annoy me! You’ve gotten on my nerves since the day I met you! You dumb little cooz!” the biology stays the same for teenagers too: adrenaline.
She’s silent.
“You’ve gotten on my nerves since grade school when we walked home… and it just keeps getting worst!”
She cried.
“I hate you! Get out of my life! I want nothing to do with you!”
* * *
That was the last time I saw Natalie, running out of my room in tears.
All these photos suck.
* * *
I laid down in my bed, staring out of my window, gazing at the cobweb of stars weaved into a midnight sky. Stillness filled the air. Unexpectedly, my cell phone began to ring and I scurry out of bed to search; The ringing was faint, barely audible. It was probably under the covers or one of my other pillows, perhaps the closet.
The ring ceased and silence returned to my room. There I stood, aimlessly scanning for the handheld. Suddenly, another ring intruded: quieter, quicker.
Voicemail received.
Minutes later I found it beneath the mattress, and I played the message: Hi Matty, this is Natalie. Uh… I just called to say happy birthday. I didn’t forget it was today… twelve years old. Congratulations buddy… I really miss you. A lot. And I miss being around you. And I want to hear from you. And… and… I love you and just wanted to say ‘hi.’ Bye Matty… call me back as soon as you can.
* * *
I’m sixteen now. There was no call-back. No reply–just silence. I live farther now, too.
Currently I hold a manilla folder from Flickr Inc.; I tear it apart. I unfold the letter. I read: “We regret to inform you that your photograph is unqualified for judging due to coffee stains.”
* * *
“Alright Matty and Natalie, ready?” her mother said.
The goldenrod, filtered by the autumn leaves branching from the oaks, grazed our heads as Natalie and I adjusted ourselves in front of the Polaroid.
“This is the coolest gift ever!” I stated, referring to the camera.
“You’re welcome, sweetheart. Now stay still so I can get you two in this picture correctly.” We waited for another minute; Natalie’s mother struggled to turn off the flash.
Behind us, our suburbia was enriched by autumn leaves drizzling with the light wind. The golden grasses of our front lawns complimented the autumn-leaf showers. A cricket nearby played a tune–a tune I no longer remember, only that it was joyous. The smiles we formed just laughing about stupid 5-year-old stuff.
“Okay ready?”
We prepared our pose: magazine smiles and silly eyes.
“One.”
“Two.”
“Say cheese… and…”
I felt Natalie’s arms suddenly flung onto my biceps, embracing me from behind and to a complete shock my magazine smiles turned genuine.
We heard clicks; We heard noise.
And a picture perfect photograph was ejected.

chris's bio.


Chris Avila is an accomplished slacker who has been writing and editing since well before it was cool. A Southern California native, he fills his time by doing improv, acting, and hitting the usual internet rounds. His work featured in the teen writing section of About.com (when that section still existed). When he moves out, he is installing a false Jefferies Tube entrance on the wall of his new place.

adam's bio.


Writing is Adam's life. He loves only two things more than he loves writing. Adam's life's goal is to get his epic fantasy, The Tarterrior Series out on the shelves soon and watch as its popularity spreads and grows. Unlike other authors he is in it to simply pass on a good story. The art, the fame, the money means nothing in comparison. Adam's inspiration comes from his best friend who wisely told him he was wasting his talent if he wasn't writing, so here he is! Adam finds that nothing can compare to the thrill that he gets when writing. Often, when he is not writing, he can be found either reading, singing, playing piano, or drawing. Most of his spare time is spent in writing his book series.
The Tarterrior series is an eight part story in which the origin and the lives of dragons are related. The story follows-for the most part-Wreaknatter Drudlok and his two threats to power, Alsenoth Ongeller and Markus Lumengar. The story, told through a narrative switch style, is the rise and fall of Wreaknatter, the evil Lord of Carthraith and how his actions effect the world of Tarterrior. Told in the span of 112 years, the story is split into three parts: The Overture of Wreaknatter (2 years), the Rise of Wreaknatter (95 years), and the Struggle and Fall of Wreaknatter (15 years).
Other than the Tarterrior Series, Adam is writing two musicals including The Merry Crew of Captain Kidd, as well as posting his written piano pieces on his blog, Finding the 88 Keys on How to Write Piano Music. Other than that the only MAJOR project he is working on is the book he is writing with his cousin Kit called The Boundless.
Founder of, and currently leading side-by-side with JC Carlson and Kevin McChesney, the improv group called the Reject Llamas, Adam is also well versed in the art of calligraphy and cartography, and has written nine languages all for his main book series. He owns a pet lovebird named Skittles and a pompous white Chihuahua named Holly. He loves to go camping, hiking, and spelunking, he's awesome at archery, and he LOVES Disneyland. If you'd like to follow him via twitter, he can be found at @alsenoth, and he hopes to be constantly posting for viewer's benefit!
He would like to thank all the people that have helped him in his endeavors to become a writer, especially Kaitlin Booth. He feels so lucky to have all the support that he has, and he gives his thanks!

nick's bio.

Nick here-

During a random late-night lunch with @chrisavila and @alsenoth (the other two writers in this blog) we decided to create the blog you are currently reading. It originally began with us just wanting to write blogs, yet we discovered a single flaw in all of our previous blogging attempts is that we all lack the continuous input of content (see also: lawlnick's blog). It was then that Adam proposed that we should create a sort of "joint-blog" where we all create content with goals that we raise for one another. For example, one month we'll all set the goal for us to write something in the science fiction genre; in august we could write a romance; in January we could write a one-act play.
Overall, the idea seemed appealing and we decided to start this up and continuously poke each other to keep the content up.




A brief bio about my previous writing and current life: I am mostly known for winning the 2009 Creative Writing Contest for CGCC. The short story, entitled "Snapshot", was both praised by the staff at CGCC and I was the youngest writer who entered to win. My picture was included

in the Arizona Republic, Gilbert Republic, and even in my own Hamilton High School's Paw Print. Aside from writing, I am one of the three officers of Hamilton High School's improvisational comedy team called "Urban Lemmings." I was decked out in drag and women's make-up, footwear, and blouse in "Final Vinyl". I enjoy acting and performance in general.

introduction to a link-journal.

Welcome to ink-link. ink-link is a link-journal where Chris Avila, Adam Gonzales, and Nick Vera will be posting both group and individual writing projects. Many different series of fantasy adventures, poems, songs, short-stories, satires, and other forms of writing will be posted. We hope to explore new depths of the writing world with help from our viewers and are excited that we are able to do something so unique. Please help us as we strive to get a following and as we strive to have fun while doing new things never before done in the world of writing. Thanks!

-@alsenoth (Adam)
-@lawlnick (Nick)
-@chrisavila (Chris)